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	<title>Isai Arangam &#187; IsaiArangam | Thiramai Inge Aarambam | Tamil Independent Portal connecting Independent Artists around the Globe |</title>
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	<description>Thiramai Inge Aarambam !</description>
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		<title>Kelungal Kedhaaram</title>
		<link>http://www.isai-arangam.com/kelungal-kedhaaram/</link>
		<comments>http://www.isai-arangam.com/kelungal-kedhaaram/#comments</comments>
		<pubDate>Tue, 17 May 2011 18:25:24 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
		<category><![CDATA[IsaiArangam]]></category>
		<category><![CDATA[carnatic]]></category>
		<category><![CDATA[hindustani]]></category>
		<category><![CDATA[innisai]]></category>
		<category><![CDATA[innisaipayanam]]></category>
		<category><![CDATA[kedhaaram]]></category>
		<category><![CDATA[prof ramanan]]></category>
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		<guid isPermaLink="false">http://www.isai-arangam.com/?p=6573</guid>
		<description><![CDATA[Ennavale adi ennavale en idhayathai tholaithu vitteyn- an A.R.Rehman hit in the film Kaadhalan thrills…..Sundari neeyum sundaran nyaanum serndhidum naal thiruvonam- an Illayaraaja hit in the movie Michael madana kaamarajan enthralls…..Idhu oru ponmaalai pozudhu in the movie Nizalgal mesmerizes……. Such is the splendor….so is the beauty of the Raaga Kedhaaram these songs are tuned in….. - A derivative (Janya Raagam) of the 29th Melakartha raaga Deerasankaraabharanam in the 72 Melakartha raaga system of Carnatic music, the Raagam by structure stirs the subtle spiritual love (Bhakti) though a bit passionately giving a touch of Veera Rasam (valour). Endowed with an Aarohanam (ascending notes) S M1 G3 M1 P N3 S and Avarohanam (descending notes) S N3...]]></description>
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		<slash:comments>42</slash:comments>
		</item>
		<item>
		<title>Silirkum Sivaranjani</title>
		<link>http://www.isai-arangam.com/silirkum-sivaranjani/</link>
		<comments>http://www.isai-arangam.com/silirkum-sivaranjani/#comments</comments>
		<pubDate>Wed, 02 Mar 2011 01:47:17 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
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		<category><![CDATA[carnatic]]></category>
		<category><![CDATA[hindustani]]></category>
		<category><![CDATA[innisai]]></category>
		<category><![CDATA[innisaipayanam]]></category>
		<category><![CDATA[prof ramanan]]></category>
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		<category><![CDATA[sivaranjani]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=5407</guid>
		<description><![CDATA[Kannum Kannum Kollai Adithaal Kaadhal Enru Artham- an electric and ecstatic composition of A.R.Rehman in the movie Thirudaa Thirudaa is also an eclectic piece where one finds eccentric elements from Western and Indian Classical music. The song carries a passionate message in a fast rock and roll style in a sober soft Sivaranjani Raagam that usually conveys melancholy. Easily identified and extensively employed in both Carnatic and Hindusthaani music, the Raagam Sivaranjani has been beautifully utilized in many Tamil movie songs. Vaa Vaa Anbey Anbey in the movie Agninkshtram, Adi Aathaadi in Kadalorakavithaigal, Unnaithaaney Thanjam Enru in Nallavanukku Nallavan, Innisai Paadivarum….the list goes on. The Raagam has the same 5 swaras Sa Re Ga Pa...]]></description>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Hamsadhwani</title>
		<link>http://www.isai-arangam.com/hamsadhwani/</link>
		<comments>http://www.isai-arangam.com/hamsadhwani/#comments</comments>
		<pubDate>Sun, 23 Jan 2011 01:08:55 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
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		<category><![CDATA[carnatic]]></category>
		<category><![CDATA[hamsadhwani]]></category>
		<category><![CDATA[hamsadwani]]></category>
		<category><![CDATA[hindustani]]></category>
		<category><![CDATA[innisai]]></category>
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		<category><![CDATA[rangarajan]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=5055</guid>
		<description><![CDATA[When I first attended a concert of Flute Ramani sir, I was spellbound by his mastery over the craft. He began the concert with a kirti in the raagam Hamsadhwani, the very famous “Vatapi Ganapathim Bhaje&#8217;ham” composed by Dikshitar. That is what established my strong emotional association with Hamsadhwani. I was so captivated by the pleasantness of the raagam and also the musical eloquence with which Ramani sir delivered it that, to this day Hamsadhwani remains one of my all time favourites. Hamsadhwani is an audava raagam (what we call a pentatonic scale in Western) and is a janya (derivative scale) of Shankarabharanam. It does not feature Madhyamam and Dhaivatham in its aarohana avarohana structure....]]></description>
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		<slash:comments>16</slash:comments>
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		<item>
		<title>Hypnotic Hindholam</title>
		<link>http://www.isai-arangam.com/hypnotic-hindholam/</link>
		<comments>http://www.isai-arangam.com/hypnotic-hindholam/#comments</comments>
		<pubDate>Fri, 07 Jan 2011 20:26:07 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
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		<category><![CDATA[carnatic]]></category>
		<category><![CDATA[hindholam]]></category>
		<category><![CDATA[hindolam]]></category>
		<category><![CDATA[hindustani]]></category>
		<category><![CDATA[innisai]]></category>
		<category><![CDATA[innisaipayanam]]></category>
		<category><![CDATA[payanam]]></category>
		<category><![CDATA[prof ramanan]]></category>
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		<guid isPermaLink="false">http://www.isai-arangam.com/?p=4817</guid>
		<description><![CDATA[My close friend Mr.Srinivas has the nice habit of analyzing Carnatic Raagaas in movie songs. He recently brought to discussion an A.R.Rehman hit Maargazhi Poove Maargazhi Poove in the movie May Maadham. The song tuned in the Raagam Hindholam brought to my attention so many other hits including Unnal Mudiyum Thambi Thambi from the movie Unnal Mudiyum Thambi; Naan Theydum in Dharmapathini; Naanaaga Naan Illai Thaaye in Thoongaathey Thambi Thoongathey; Om Namashivaaya in Salangai Oli; Saamaja Varagamanaa in Sankaraabharanam; Nammavooru Singaari in Ninaithaale Innikkum; Manamey Muruganin Mayil Vaahanam in Motor Sundaram Pillai; Kangalum Kavi Paadudhey in Aduttha Veetu Penn and Ennai Vittu Odipogamudiyumaa in Kumudham. Known as Maalkauns in Hindusthaani Music, Hindholam is a masculine...]]></description>
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		<slash:comments>15</slash:comments>
		</item>
		<item>
		<title>Exotic Maandu</title>
		<link>http://www.isai-arangam.com/exotic-maandu/</link>
		<comments>http://www.isai-arangam.com/exotic-maandu/#comments</comments>
		<pubDate>Sat, 11 Dec 2010 20:49:37 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
		<category><![CDATA[carnatic]]></category>
		<category><![CDATA[hindustani]]></category>
		<category><![CDATA[innisai]]></category>
		<category><![CDATA[innisaipayanam]]></category>
		<category><![CDATA[maandu]]></category>
		<category><![CDATA[payanam]]></category>
		<category><![CDATA[prof ramanan]]></category>
		<category><![CDATA[raaga]]></category>
		<category><![CDATA[ramanan]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=4536</guid>
		<description><![CDATA[Sowkiyama Kanney Sowkiyama…..Sowkiyama Kanney Sowkiyama…….an A.R.Rehman composition from the movie Sangamam is a piece par excellence in the Raagam Maandu. Sowkiyama Kanney &#8211; Sangamam This exotic Raagam has in it another hit song Nilaakaaigiradhu from A.R.Rehman in the movie Indira. Anjali Anjali in the movie Duet also has the royal shades of Maandu. Vanna Chindu, an Ilayaraajaa melody from the movie Kovil Kaalai is another Maandu too. If you travel into the realms of Nadigar Thilagam Shivaji’s movie Thiruvilayaadal, there too you find a Maandu in the multiraaga hit Inrorunaal podhumaa and Pengalai nambade kangale in the movie Thooku Thooki. Nilaakaaigiradhu – Indira Having its Hindustani equivalent as Maand, the Raagam has a beautifully designed structure with notes flowing in between small time gaps in an intricate fashion travelling through...]]></description>
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		<slash:comments>16</slash:comments>
		</item>
		<item>
		<title>Mayamalavagowlai</title>
		<link>http://www.isai-arangam.com/mayamalavagowlai/</link>
		<comments>http://www.isai-arangam.com/mayamalavagowlai/#comments</comments>
		<pubDate>Wed, 17 Nov 2010 21:43:08 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
		<category><![CDATA[innisaipayanam]]></category>
		<category><![CDATA[Mayamalavagowlai]]></category>
		<category><![CDATA[murali]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=4256</guid>
		<description><![CDATA[Mayamalavagowlai, a pazhamaivaaintha (ancient) raagam, must be one of the most familiar raagams among the common rasikas I guess. You would&#8217;ve definitely heard about it even if your only association with carnatic music is that you have a sibling who learnt carnatic vocals for a couple of months. This is the raagam that is taught to beginners when they learn their sarali varisai, jantai, thaattu, mel sthaayi etc. I am not sure why Purandaradasa chose this raagam when he set out a formal structure of lessons for beginners to learn carnatic music but it sure does give a great feel even when sung without much gamakas and helps sustain your interest as you continue to...]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Simply Sindhu Bhairavi</title>
		<link>http://www.isai-arangam.com/simply-sindhu-bhairavi-innisai-payanam/</link>
		<comments>http://www.isai-arangam.com/simply-sindhu-bhairavi-innisai-payanam/#comments</comments>
		<pubDate>Sun, 07 Nov 2010 02:21:16 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
		<category><![CDATA[bairavi]]></category>
		<category><![CDATA[innisaipayanam]]></category>
		<category><![CDATA[ramanan]]></category>
		<category><![CDATA[sindu]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=4204</guid>
		<description><![CDATA[Maargazi Thingal Allava Madhi Konjum Naal Allavaa Idhu Kannan Varum Pozudhallavaa - the A.R.Rehman hit in the movie Sangamam; Ovvoru Pookalume Solgirathey- the Bharadwaj hit in the movie Autograph; Nilave Mugam Kaattu- the Ilaiyaraaja hit in the movie Ejaman; Nenjinile Nenjinile -the A.R.Rehman hit in the movie Uyire; Valaiyosai Kalagalavena – another Ilayaraaja hit in the movie Sathya; Ennai Yaarenru Enni Enni Nee Parkiraai in the movie Paalum Pazamum, Vaazkai Enum Odam - the K.B.Sundaraabmbaal hit of yesteryears in the movie Poompuhaar and the famous National Integration Song Mile suru Meyra Thumaaraa have one thing in common. Yes, they are all tuned in the Raagam Sindhu Bhairavi. Nenjinile Nenjinile &#8211; Uyire The Raagam is so...]]></description>
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		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Dharmavathi</title>
		<link>http://www.isai-arangam.com/dharmavathi-raagam/</link>
		<comments>http://www.isai-arangam.com/dharmavathi-raagam/#comments</comments>
		<pubDate>Tue, 12 Oct 2010 20:33:25 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
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		<category><![CDATA[innisaipayanam]]></category>
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		<guid isPermaLink="false">http://www.isai-arangam.com/?p=3927</guid>
		<description><![CDATA[The moment I hear the name Dharmavathi, the first thing that strikes my mind is this one particular scene from the movie Azhagan in which Mammooty gives a hard, tight slap to Madhubala. Ok, before you go like “What the heck, dude?!”, let me explain the context but not before I get to ramble on the evolution of the role of songs in our movies. In the days of Thyagaraja bhagavathar (not to confuse with Saint Thyagaraja), there used to be a song for every two minutes and the movie wouldn&#8217;t complete in any time less than three hours. Imagine then how many songs you would have in each movie! Basically, each song conveyed something...]]></description>
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		<slash:comments>14</slash:comments>
		</item>
		<item>
		<title>Azagaana Aananda Bhairavi</title>
		<link>http://www.isai-arangam.com/azagaana-aananda-bhairavi/</link>
		<comments>http://www.isai-arangam.com/azagaana-aananda-bhairavi/#comments</comments>
		<pubDate>Tue, 28 Sep 2010 21:48:45 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
		<category><![CDATA[ananda]]></category>
		<category><![CDATA[bhairavi]]></category>
		<category><![CDATA[innisaipayanam]]></category>
		<category><![CDATA[ramanan]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=3783</guid>
		<description><![CDATA[The beauty of Carnatic music lies in its capability to convey fine aspects of human emotions in apt Raagaas or musical scales. Happiness is an emotion so natural to man that he utilizes every occasion to magnify his happiness and make merry. Aananda Bhairavi is one such Raagaa that is apt to convey, magnify and express happiness. No doubt, this conveys the moods of lovers too in our movies. Konjanaal poru thalaivaa…oru vanjikodi ingey varuvaa kannirandil por thoduppaa andha vennilava thorkkadippaa &#8230;in the Ajit movie Aasai is Ananda Bhairavi conveying youth ecstasy. Mettu podu oru sarakiruku murukkirku mettipodu in the movie Duet is yet another Ananda Bhairavi conveying romantic ecstasy. Deemthanana Deemthanana Deemthanana Deemthanana Deemthanana Deemthanana Dhirana...]]></description>
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		<slash:comments>14</slash:comments>
		</item>
		<item>
		<title>Kalyani</title>
		<link>http://www.isai-arangam.com/kalyani/</link>
		<comments>http://www.isai-arangam.com/kalyani/#comments</comments>
		<pubDate>Fri, 17 Sep 2010 18:19:50 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
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		<guid isPermaLink="false">http://www.isai-arangam.com/?p=3684</guid>
		<description><![CDATA[Of several things that music (or rather the pursuit of music) teaches us, one important virtue I feel is Punctuality. One of those days, I was late to my music class by ten minutes and entered the class half-expecting that the day&#8217;s lesson will be cancelled for me. My guru nodded his head, signalling me to come inside. Noticeably, he was busy with his flute, playing an alapanai in Kalyani. It&#8217;s not very often that you get to listen to your guru performing in class. I was listening to the alapanai earnestly and by the time he finished it with a Thyagaraja kirti “Vasudevayani”, I couldn&#8217;t believe that almost an hour had gone by already....]]></description>
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		<slash:comments>20</slash:comments>
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