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	<title>Isai Arangam &#187; IsaiArangam | Thiramai Inge Aarambam | Tamil Independent Portal connecting Independent Artists around the Globe |</title>
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	<description>Thiramai Inge Aarambam !</description>
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		<title>Why This Kolaveri Di? – The Magic Wand or Magical Wind?</title>
		<link>http://www.isai-arangam.com/why-this-kolaveri-di-the-magic-wand-or-magical-wind/</link>
		<comments>http://www.isai-arangam.com/why-this-kolaveri-di-the-magic-wand-or-magical-wind/#comments</comments>
		<pubDate>Sun, 04 Dec 2011 18:56:07 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[IsaiArangam]]></category>
		<category><![CDATA[dhanush]]></category>
		<category><![CDATA[dipak jain]]></category>
		<category><![CDATA[why this klaveri di]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=7577</guid>
		<description><![CDATA[Nowadays, this questioning song is on the tip of everyone’s tongue, be it a small KG-going kid or an old person crossed his/her 80s. In those days India is facing the burning issues pertaining to provincial borders. It is surprising that this ‘Tanglish’ (Tamil+English) music proved like a cool breeze to be blown on such painful and igniting wounding issues in India and people seem united in heart and soul to sing this song forgetting the sociopolitical disputes and barriers of languages. Once again music has proved its supremacy over the geographical differences. The magical wind of this song has blown overseas and the craze of this song has spread upon the globe! This ‘musical...]]></description>
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		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Rhythm Is Necessary In Every Walk Of Life!</title>
		<link>http://www.isai-arangam.com/rhythm-is-necessary-in-every-walk-of-life/</link>
		<comments>http://www.isai-arangam.com/rhythm-is-necessary-in-every-walk-of-life/#comments</comments>
		<pubDate>Fri, 08 Jul 2011 21:21:08 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[IsaiArangam]]></category>
		<category><![CDATA[dipak]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=6790</guid>
		<description><![CDATA[The Greek meaning explains the word ‘rhythm’ as a ‘measured motion’. In rhythm, there is certain regular fall and rise in the cadence of the poem. The steady or unsteady, even or uneven beat makes the rhythmic movement which can be in the form of regular repetition of stressed as well as weak syllables in the poetic composition. However, this rhythm is not restricted to the poetry. We can apply it to everywhere in the universe. Indeed, rhythm is necessary in every walk of life! You will find rhythm everywhere when you observe the things carefully with a poetic mind! There is regular invisible rhythm in the movement of the universe. The sun travels from...]]></description>
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		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>Music, the elixir of life!</title>
		<link>http://www.isai-arangam.com/music-the-elixir-of-life/</link>
		<comments>http://www.isai-arangam.com/music-the-elixir-of-life/#comments</comments>
		<pubDate>Fri, 27 May 2011 22:28:30 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[IsaiArangam]]></category>
		<category><![CDATA[dipak]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=6642</guid>
		<description><![CDATA[Music is the living force, nay, life becomes bearable because of music. Without music, life would have simply become a barren desert, an infertile land. There would be hardly any man who feels allergic to music. Music means rhythm and this rhythm is seen in the movement and sound. The life begins with the rhythmic movement of heart beats and pulse. The crying baby returns to silence and goes into deep sleep with pleasure when the cradle rocks rhythmically or when the mother sings some melodious lullaby. Although, the child cannot understand the meaning of the words, yet the sweet cadence of the lullaby soothes it. If the infants are moved with the cradlesong, what...]]></description>
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		<slash:comments>35</slash:comments>
		</item>
		<item>
		<title>Kelungal Kedhaaram</title>
		<link>http://www.isai-arangam.com/kelungal-kedhaaram/</link>
		<comments>http://www.isai-arangam.com/kelungal-kedhaaram/#comments</comments>
		<pubDate>Tue, 17 May 2011 18:25:24 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
		<category><![CDATA[IsaiArangam]]></category>
		<category><![CDATA[carnatic]]></category>
		<category><![CDATA[hindustani]]></category>
		<category><![CDATA[innisai]]></category>
		<category><![CDATA[innisaipayanam]]></category>
		<category><![CDATA[kedhaaram]]></category>
		<category><![CDATA[prof ramanan]]></category>
		<category><![CDATA[raaga]]></category>
		<category><![CDATA[ramanan]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=6573</guid>
		<description><![CDATA[Ennavale adi ennavale en idhayathai tholaithu vitteyn- an A.R.Rehman hit in the film Kaadhalan thrills…..Sundari neeyum sundaran nyaanum serndhidum naal thiruvonam- an Illayaraaja hit in the movie Michael madana kaamarajan enthralls…..Idhu oru ponmaalai pozudhu in the movie Nizalgal mesmerizes……. Such is the splendor….so is the beauty of the Raaga Kedhaaram these songs are tuned in….. - A derivative (Janya Raagam) of the 29th Melakartha raaga Deerasankaraabharanam in the 72 Melakartha raaga system of Carnatic music, the Raagam by structure stirs the subtle spiritual love (Bhakti) though a bit passionately giving a touch of Veera Rasam (valour). Endowed with an Aarohanam (ascending notes) S M1 G3 M1 P N3 S and Avarohanam (descending notes) S N3...]]></description>
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		<slash:comments>42</slash:comments>
		</item>
		<item>
		<title>Why Does Healthy Fight And Competition Among The Musicians Necessary?</title>
		<link>http://www.isai-arangam.com/why-does-healthy-fight-and-competition-among-the-musicians-necessary/</link>
		<comments>http://www.isai-arangam.com/why-does-healthy-fight-and-competition-among-the-musicians-necessary/#comments</comments>
		<pubDate>Wed, 09 Mar 2011 22:51:31 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[IsaiArangam]]></category>
		<category><![CDATA[dipak]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=5524</guid>
		<description><![CDATA[The Biblical reference says that ‘God helps them who help themselves.’ This does not mean that you should achieve your goal, by hook or by crook. Sadly speaking, there is a common trend of ‘leg-pullers’ or ‘back-stabbers’ growing in the music industry. The hidden fear out of envy for other’s growing popularity makes them feel insecure, and they try to ‘scissor’ the career of the person in screen. However, making stumbling blocks in the way of the rising talent cannot succeed them. The truth always prevails and triumphs! Do not forget that the age-old wisdom ‘united, we stand; divided, we fall’ is the all time truth. Togetherness is growth. You cannot gain the success on...]]></description>
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		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>Silirkum Sivaranjani</title>
		<link>http://www.isai-arangam.com/silirkum-sivaranjani/</link>
		<comments>http://www.isai-arangam.com/silirkum-sivaranjani/#comments</comments>
		<pubDate>Wed, 02 Mar 2011 01:47:17 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
		<category><![CDATA[IsaiArangam]]></category>
		<category><![CDATA[carnatic]]></category>
		<category><![CDATA[hindustani]]></category>
		<category><![CDATA[innisai]]></category>
		<category><![CDATA[innisaipayanam]]></category>
		<category><![CDATA[prof ramanan]]></category>
		<category><![CDATA[raaga]]></category>
		<category><![CDATA[ramanan]]></category>
		<category><![CDATA[sivaranjani]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=5407</guid>
		<description><![CDATA[Kannum Kannum Kollai Adithaal Kaadhal Enru Artham- an electric and ecstatic composition of A.R.Rehman in the movie Thirudaa Thirudaa is also an eclectic piece where one finds eccentric elements from Western and Indian Classical music. The song carries a passionate message in a fast rock and roll style in a sober soft Sivaranjani Raagam that usually conveys melancholy. Easily identified and extensively employed in both Carnatic and Hindusthaani music, the Raagam Sivaranjani has been beautifully utilized in many Tamil movie songs. Vaa Vaa Anbey Anbey in the movie Agninkshtram, Adi Aathaadi in Kadalorakavithaigal, Unnaithaaney Thanjam Enru in Nallavanukku Nallavan, Innisai Paadivarum….the list goes on. The Raagam has the same 5 swaras Sa Re Ga Pa...]]></description>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Hamsadhwani</title>
		<link>http://www.isai-arangam.com/hamsadhwani/</link>
		<comments>http://www.isai-arangam.com/hamsadhwani/#comments</comments>
		<pubDate>Sun, 23 Jan 2011 01:08:55 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
		<category><![CDATA[IsaiArangam]]></category>
		<category><![CDATA[carnatic]]></category>
		<category><![CDATA[hamsadhwani]]></category>
		<category><![CDATA[hamsadwani]]></category>
		<category><![CDATA[hindustani]]></category>
		<category><![CDATA[innisai]]></category>
		<category><![CDATA[innisaipayanam]]></category>
		<category><![CDATA[murali]]></category>
		<category><![CDATA[payanam]]></category>
		<category><![CDATA[raaga]]></category>
		<category><![CDATA[rangarajan]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=5055</guid>
		<description><![CDATA[When I first attended a concert of Flute Ramani sir, I was spellbound by his mastery over the craft. He began the concert with a kirti in the raagam Hamsadhwani, the very famous “Vatapi Ganapathim Bhaje&#8217;ham” composed by Dikshitar. That is what established my strong emotional association with Hamsadhwani. I was so captivated by the pleasantness of the raagam and also the musical eloquence with which Ramani sir delivered it that, to this day Hamsadhwani remains one of my all time favourites. Hamsadhwani is an audava raagam (what we call a pentatonic scale in Western) and is a janya (derivative scale) of Shankarabharanam. It does not feature Madhyamam and Dhaivatham in its aarohana avarohana structure....]]></description>
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		<slash:comments>16</slash:comments>
		</item>
		<item>
		<title>Hypnotic Hindholam</title>
		<link>http://www.isai-arangam.com/hypnotic-hindholam/</link>
		<comments>http://www.isai-arangam.com/hypnotic-hindholam/#comments</comments>
		<pubDate>Fri, 07 Jan 2011 20:26:07 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
		<category><![CDATA[IsaiArangam]]></category>
		<category><![CDATA[carnatic]]></category>
		<category><![CDATA[hindholam]]></category>
		<category><![CDATA[hindolam]]></category>
		<category><![CDATA[hindustani]]></category>
		<category><![CDATA[innisai]]></category>
		<category><![CDATA[innisaipayanam]]></category>
		<category><![CDATA[payanam]]></category>
		<category><![CDATA[prof ramanan]]></category>
		<category><![CDATA[raaga]]></category>
		<category><![CDATA[ramanan]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=4817</guid>
		<description><![CDATA[My close friend Mr.Srinivas has the nice habit of analyzing Carnatic Raagaas in movie songs. He recently brought to discussion an A.R.Rehman hit Maargazhi Poove Maargazhi Poove in the movie May Maadham. The song tuned in the Raagam Hindholam brought to my attention so many other hits including Unnal Mudiyum Thambi Thambi from the movie Unnal Mudiyum Thambi; Naan Theydum in Dharmapathini; Naanaaga Naan Illai Thaaye in Thoongaathey Thambi Thoongathey; Om Namashivaaya in Salangai Oli; Saamaja Varagamanaa in Sankaraabharanam; Nammavooru Singaari in Ninaithaale Innikkum; Manamey Muruganin Mayil Vaahanam in Motor Sundaram Pillai; Kangalum Kavi Paadudhey in Aduttha Veetu Penn and Ennai Vittu Odipogamudiyumaa in Kumudham. Known as Maalkauns in Hindusthaani Music, Hindholam is a masculine...]]></description>
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		<slash:comments>15</slash:comments>
		</item>
		<item>
		<title>Exotic Maandu</title>
		<link>http://www.isai-arangam.com/exotic-maandu/</link>
		<comments>http://www.isai-arangam.com/exotic-maandu/#comments</comments>
		<pubDate>Sat, 11 Dec 2010 20:49:37 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
		<category><![CDATA[carnatic]]></category>
		<category><![CDATA[hindustani]]></category>
		<category><![CDATA[innisai]]></category>
		<category><![CDATA[innisaipayanam]]></category>
		<category><![CDATA[maandu]]></category>
		<category><![CDATA[payanam]]></category>
		<category><![CDATA[prof ramanan]]></category>
		<category><![CDATA[raaga]]></category>
		<category><![CDATA[ramanan]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=4536</guid>
		<description><![CDATA[Sowkiyama Kanney Sowkiyama…..Sowkiyama Kanney Sowkiyama…….an A.R.Rehman composition from the movie Sangamam is a piece par excellence in the Raagam Maandu. Sowkiyama Kanney &#8211; Sangamam This exotic Raagam has in it another hit song Nilaakaaigiradhu from A.R.Rehman in the movie Indira. Anjali Anjali in the movie Duet also has the royal shades of Maandu. Vanna Chindu, an Ilayaraajaa melody from the movie Kovil Kaalai is another Maandu too. If you travel into the realms of Nadigar Thilagam Shivaji’s movie Thiruvilayaadal, there too you find a Maandu in the multiraaga hit Inrorunaal podhumaa and Pengalai nambade kangale in the movie Thooku Thooki. Nilaakaaigiradhu – Indira Having its Hindustani equivalent as Maand, the Raagam has a beautifully designed structure with notes flowing in between small time gaps in an intricate fashion travelling through...]]></description>
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		<slash:comments>16</slash:comments>
		</item>
		<item>
		<title>Mayamalavagowlai</title>
		<link>http://www.isai-arangam.com/mayamalavagowlai/</link>
		<comments>http://www.isai-arangam.com/mayamalavagowlai/#comments</comments>
		<pubDate>Wed, 17 Nov 2010 21:43:08 +0000</pubDate>
		<dc:creator>IsaiArangam</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[InnisaiPayanam]]></category>
		<category><![CDATA[innisaipayanam]]></category>
		<category><![CDATA[Mayamalavagowlai]]></category>
		<category><![CDATA[murali]]></category>

		<guid isPermaLink="false">http://www.isai-arangam.com/?p=4256</guid>
		<description><![CDATA[Mayamalavagowlai, a pazhamaivaaintha (ancient) raagam, must be one of the most familiar raagams among the common rasikas I guess. You would&#8217;ve definitely heard about it even if your only association with carnatic music is that you have a sibling who learnt carnatic vocals for a couple of months. This is the raagam that is taught to beginners when they learn their sarali varisai, jantai, thaattu, mel sthaayi etc. I am not sure why Purandaradasa chose this raagam when he set out a formal structure of lessons for beginners to learn carnatic music but it sure does give a great feel even when sung without much gamakas and helps sustain your interest as you continue to...]]></description>
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		<slash:comments>2</slash:comments>
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